Saturday, September 25, 2004

After Minor Surgery -- 18 Poems of Linda Pastan

After Minor Surgery


By Linda Pastan


this is the dress rehearsal

when the body
like a constant lover
flirts for the first time
with faithlessness

when the body
like a passenger on a long journey
hears the conductor call out
the name
of the first stop

when the body
in all its fear and cunning
makes promises to me
it knows
it cannot keep

---------------------

I am Learning to Abandon the World


By Linda Pastan


I am learning to abandon the world
before it can abandon me.
Already I have given up the moon
and snow, closing my shades
against the claims of white.
And the world has taken
my father, my friends.
I have given up melodic lines of hills,
moving to a flat, tuneless landscape.
ANd every night I give my body up
limb by limb, working upwards
across bone, towards the heart.
But morning comes with small
reprieves of coffee and birdsong.
A tree outside the window
which was simply shadow moments ago
takes back its branches twig
by leafy twif.
And as I take my body back
the sun lays its warm muzzle on my lap
as if to make amends.

------------------------

The Obligation to be Happy


By Linda Pastan


It is more onerous
than the rites of beauty
or housework, harder than love.
But you expect it of me casually,
the way you expect the sun
to come up, not in spite of rain
or clouds but because of them.

And so I smile, as if my own fidelity
to sadness were a hidden vice ---
that downward tug on my mouth,
my old suspicion that health
and love are brief irrelevancies,
no more than laughter in the warm dark
strangled at dawn.

Happiness. I try to hoist it
on my narrow shoulders again ---
a knapsack heavy with gold coins.
I stumble around the house,
bump into things.
Only Midas himself
would understand.

------------

Mother Eve


By Linda Pastan


Of course she never was a child herself,
waking as she did one morning
full grown and perfect,
with only Adam, another innocent,
to love her and instruct.
There was no learning, step by step,
to walk, no bruised elbows or knees ---
no small transgressions.
There was only the round, white mound
of the moon rising,
which could neither be suckled
nor leaned against.
And perhaps the serpent spoke
in a woman's voice, mothering.
Oh, who can blame her?

When she held her own child
in her arms, what did she make
of that new animal? Did she love Cain
too little or too much, looking down
at her now flawed body as if her rib,
like Adam's, might be gone?
In the litany of naming that continued
for children instead of plants,
no daughter is mentioned.
But generations later there was Rachel,
all mother herself, who knew
that bringing forth a child in pain
is only the start. It is losing them
(and Benjamin so young)
that is the punishment.


Note: Rachel: One of the Jewish matriarchs; wife of Jacob and mother of Joseph and Benjamin. Genesis, esp. chapters 29-30, 35.

-------------------

The Cossacks


By Linda Pastan

for F.
For Jews, the Cossacks are always coming.
Therefore I think the sun spot on my arm
is melanoma. Therefore I celebrate
New Year's Eve by counting
my annual dead.

My mother, when she was dying,
spoke to her visitors of books
and travel, displaying serenity
as a form of manners, though
I could tell the difference.

But when I watched you planning
for a life you knew
you'd never have, I couldn't explain
your genuine smile in the face
of disaster. Was it denial

laced with acceptance? Or was it
generations of being English--
Brontë's Lucy in Villette
living as if no fire raged
beneath her dun-colored dress.

I want to live the way you did,
preparing for next year's famine with wine
and music as if it were a ten-course banquet.
But listen: those are hoofbeats
on the frosty autumn air.

---------------------

The New Dog

By Linda Pastan

Into the gravity of my life,
the serious ceremonies
of polish and paper
and pen, has come
this manic animal
whose innocent disruptions
make nonsense
of my old simplicities—
as if I needed him
to prove again that after
all the careful planning,
anything can happen.
------------------------

A New Poet

By Linda Pastan

Finding a new poet
is like finding a new wildflower
out in the woods. You don't see
its name in the flower books, and
nobody you tell believes
in its odd color or the way
its leaves grow in splayed rows
down the whole length of the page. In fact
the very page smells of spilled
red wine and the mustiness of the sea
on a foggy day—the odor of truth
and of lying.
And the words are so familiar,
so strangely new, words
you almost wrote yourself, if only
in your dreams there had been a pencil
or a pen or even a paintbrush,
if only there had been a flower.

------------------

EMILY DICKINSON


by Linda Pastan


We think of hidden in a white dress
among the folded linens and sachets
of well-kept cupboards, or just out of sight
sending jellies and notes with no address
to all the wondering Amherst neighbors.
Eccentric as New England weather
the stiff wind of her mind, stinging or gentle,
blew two half imagined lovers off.
Yet legend won't explain the sheer sanity
of vision, the serious mischief
of language, the economy of pain.

-----------------------

Self-Portrait

by Linda Pastan

After Adam Zagajewski
I am child to no one, mother to a few,
wife for the long haul.
On fall days I am happy
with my dying brethren, the leaves,
but in spring my head aches
from the flowery scents.
My husband fills a room with Mozart
which I turn off, embracing
the silence as if it were an empty page
waiting for me alone to fill it.
He digs in the black earth
with his bare hands. I scrub it
from the creases of his skin, longing
for the kind of perfection
that happens in books.
My house is my only heaven.
A red dog sleeps at my feet, dreaming
of the manic wings of flushed birds.
As the road shortens ahead of me
I look over my shoulder
to where it curves back
to childhood, its white line
bisecting the real and the imagined
the way the ridgepole of the spine
divides the two parts of the body, leaving
the soft belly in the center
vulnerable to anything.
As for my country, it blunders along
as well intentioned as Eve choosing
cider and windfalls, oblivious
to the famine soon to come.
I stir pots, bury my face in books, or hold
a telephone to my ear as if its cord
were the umbilicus of the world
whose voices still whisper to me
even after they have left their bodies.
------------------------------

The Laws of Primogeniture


by Linda Pastan


My grandson has my father's mouth
with its salty sayings
and my grandfather's crooked ear
which heard the soldiers coming.

He has the pale eyes of the cossack
who saw my great-great-grandmother
in the woods, then wouldn't stop
looking.

And see him now, pushing
his bright red firetruck towards
a future he thinks he's inventing
all by himself.

------------------------------

Vermilion


by Linda Pastan


Pierre Bonnard would enter
the museum with a tube of paint
in his pocket and a sable brush.
Then violating the sanctity
of one of his own frames
he'd add a stroke of vermilion
to the skin of a flower.
Just so I stopped you
at the door this morning
and licking my index finger, removed
an invisible crumb
from your vermilion mouth. As if
at the ritual moment of departure
I had to show you still belonged to me.
As if revision were
the purest form of love.

---------------------------

An Early Afterlife


by Linda Pastan


". . . a wise man in time of peace, shall make the necessary preparations for war." —Horace

Why don't we say goodbye right now
in the fallacy of perfect health
before whatever is going to happen
happens. We could perfect our parting,
like those characters in On the Beach
who said farewell in the shadow
of the bomb as we sat watching,
young and holding hands at the movies.
We could use the loving words
we otherwise might not have time to say.
We could hold each other for hours
in a quintessential dress rehearsal.

The we would just continue
for however many years were left.
The ragged things that are coming next—
arteries closing like rivers silting over,
or rampant cells stampeding us to the exit—
would be like postscripts to our lives
and wouldn't matter. And we would bask
in an early afterlife of ordinary days,
impervious to the inclement weather
already in our long-range forecast.
Nothing could touch us. We'd never
have to say goodbye again.

---------------------

The Almanac of Last Things


by Linda Pastan


From the almanac of last things
I choose the spider lily
for the grace of its brief
blossom, though I myself
fear brevity,

but I choose The Song of Songs
because the flesh
of those pomegranates
has survived
all the frost of dogma.

I choose January with its chill
lessons of patience and despair—and
August, too sun-struck for lessons.
I choose a thimbleful of red wine
to make my heart race,

then another to help me
sleep. From the almanac
of last things I choose you,
as I have done before.
And I choose evening

because the light clinging
to the window
is at its most reflective
just as it is ready
to go out.

-----------------------

The News of the World


by Linda Pastan


Like weather, the news
is always changing and always
the same. On a map
of intractable borders
armies ebb and flow.
In Iowa a roof is lifted
from its house like a top hat

caught in a swirl of wind.
Quadruplets born in Akron.
In Vilnius a radish
weighing 50 pounds.
And somewhere
another city falls
to its knees.

See how the newsprint
comes off on our hands
as we wrap the orange peel
in the sports page
or fold into the comics
a dead bird

the children found
and will bury
as if it were the single
sparrow whose fall
God once promised
to note, if only
on the last page.

---------------------------

Carnival Evening


by Linda Pastan


Henri Rousseau, oil on canvas

Despite the enormous evening sky
spreading over most of the canvas,
its moon no more
than a tarnished coin, dull and flat,
in a devalued currency;

despite the trees, so dark themselves,
stretching upward like supplicants,
utterly leafless; despite what could be
a face, rinsed of feeling, aimed
in their direction,

the two small figures
at the bottom of this picture glow
bravely in their carnival clothes,
as if the whole darkening world
were dimming its lights for a party.

--------------------------

"Women on the Shore"


by Linda Pastan


The pills I take to postpone death
are killing me, and the healing
journey we pack for waits
with its broken airplane,
the malarial hum of mosquitoes.
Even the newly mowed grass
hides fault lines in the earth
which could open at any time

and swallow us.
In Edvard Munch's woodcut,
the pure geometry of color—an arctic sky,
the luminescent blues and greens of water—
surrounds the woman in black
whose head is turning to a skull.
If death is everywhere we look,
at least let's marry it to beauty.

-----------------------

The Last Uncle


by Linda Pastan


The last uncle is pushing off
in his funeral skiff (the usual
black limo) having locked
the doors behind him
on a whole generation.

And look, we are the elders now
with our torn scraps
of history, alone
on the mapless shore
of this raw, new century.

--------------------------

Meditation by the Stove

by Linda Pastan


I have banked the fires
of my body
into a small but steady blaze
here in the kitchen
where the dough has a life of its own,
breathing under its damp cloth
like a sleeping child;
where the real child plays under the table,
pretending the tablecloth is a tent,
practicing departures; where a dim
brown bird dazzled by light
has flown into the windowpane
and lies stunned on the pavement--
it was never simple, even for birds,
this business of nests.
The innocent eye sees nothing, Auden says,
repeating what the snake told Eve,
what Eve told Adam, tired of gardens,
wanting the fully lived life.
But passion happens like an accident
I could let the dough spill over the rim
of the bowl, neglecting to punch it down,
neglecting the child who waits under the table,
the mild tears already smudging her eyes.
We grow in such haphazard ways.
Today I feel wiser than the bird.
I know the window shuts me in,
that when I open it
the garden smells will make me restless.
And I have banked the fires of my body
into a small domestic flame for others
to warm their hands on for a while.


A Brief Biography of the Poet

Linda Pastan
Linda Pastan

Linda Pastan was born in New York City. She later graduated from Radcliffe College and received an MA from Brandeis University. She has won many prestigious awards for her poetry including (among others); The Dylan Thomas Award, a Pushcart Prize, the Di Castagnola Award (Poetry Society of America), the Bess Hokin Prize (Poetry Magazine), the Maurice English Award, the Charity Randall Citation of the International Poetry Forum, and the 2003 Ruth Lilly Poetry Prize. She was also received a Radcliffe College Distinguished Alumnae Award.

Many of her books were also nominated for awards such as; PM/AM and Carnival Evening for the National Book Award and The Imperfect Paradise for the Los Angeles Times Book Prize.

Between 1991 and 1995 Pastan served as Poet Laureate of Maryland, as well as being part of the staff of the Breadloaf Writers Conference for two decades.

She resides in Potomac, Maryland.

Bio Source: http://oldpoetry.com/authors/LindaPastan

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